The Grass is Always Greener

  Danielle Andress, The Grass is Always Greener, (2020) Photo by Rustin McCann (detail image)

  Danielle Andress, The Grass is Always Greener, (2020) Photo by Rustin McCann

Danielle Andress, The Grass is Always Greener, (2020) Photo by Rustin McCann  (detail image)

Danielle Andress, Untitled (The Grass is Always Greener),   Jacquard woven cotton on stretched canvas, (2020) Photo by Rustin McCann

  Danielle Andress, (from left to right) Trick Mirror, The Grass Is Always Greener, Untitled (The Grass Is Always Greener), 2020, photo by Rustin McCann

  Danielle Andress, (from left to right), Untitled (When Surface was Depth), Fake It 'Till You Make It, (2020) Photo Rustin McCann

Danielle Andress, Untitled (When Surface was Depth),  triptych, Jacquard woven cotton, latex balloons, 50" x 60" each, (2020) Photo Rustin McCann

Danielle Andress, Untitled (When Surface was Depth),  triptych, Jacquard woven cotton, latex balloons, 50" x 60" each, (2020) Photo Rustin McCann

Danielle Andress, Untitled (When Surface was Depth),  triptych, Jacquard woven cotton, latex balloons, 50" x 60" each, (2020) Photo Rustin McCann

Danielle Andress, Fake It 'till You Make It, (2020) Photo by Rustin McCann  Glass beads (detail image)

Danielle Andress, Fake It 'till You Make It, (2020) Photo by Rustin McCann  Jacquard woven cotton, mounted Glamour Shots Photograph, paracord, jute, linen, Jellycord, synthetic yarn, glass beads, acrylic paint, White Tail deer antlers (shot 1976), cotton and polyester thread, on stretched canvas. 46" x 35" x 7"

Danielle Andress, All We Have is What's in Front of Us,  Jacquard woven cotton, with fur scraps, gold chain, paracord, cotton, metallic yarn, Polish stag jaw (hunted near Chernobyl in 1992), glass beads, cut tacks, cotton and polyester thread on stretched canvas, (2020) Photo by Rustin McCann